My artistic work revolves around issues of periphery and centre, how resources are distributed, both nationally and globally. How people affect places and how places affect people. I work research-based, with site-specific investigations that are then artistically shaped through the use of performance, film, photography, installation, sound, and text. In recent years, I have worked on several longer art projects: “Stones travelling” (2019 - ongoing), “ Borderline (s) - Stories from the border” (2020 - 2022) and “BROTTET - the quarry / crime (2023 - 2024). The art project “BROTTET- the quarry/crime” studies the effects of industrialisation and colonialisation of North Sweden. Now I am working on the art project “Vår Strålande Framtid - Our Radiant Future”. The project focuses on Green Colonialism, the extraction of natural resources for the Green Transition and its implications for both people and the environment. It is also about the discussion to allow uranium mining and build new nuclear power plants in Sweden. I do this by “digging down” in specific places, but the ambition is that my artistic excavations also have significance for other places and communities. In the context of exhibitions, I visualise these issues through artistic experiences and imagination.